How Dark Is Your Shadow?

How dark is your shadow? Well we all have a light side and a shadow side. If you think of the ying and the yang sign. That shadow side is the part of ourselves that we would rather not look at, the anger, the frustration and the special place where full-on tantrums are made. So the question is how dark is your shadow and why on earth would I even ask you such a question?

Well over the last month I have been entering 'the shadow lands' whilst writing my next book  Elora... (I mentioned the fairy book yesterday on my blog). The thing is the shadow landscape has proven a challenge for me. I found that writing all the baddy stuff was pretty tormenting. In fact it was so tormenting that I actually got stuck for a few weeks, where I literally could not progress. I went into a full state of avoidance because I did not want to go there or enter into the darkness / shadows.

After cleaning my apartment numerous times I had to face the fact I was avoiding the shadow aspect of myself. We all have this aspect and the shadowlands represent an individual's inner dark landscape This darkness is something that has fascinated me over the years. Especially when people reach a point in their lives where they discover 'The Dark Night of the Soul.' That time is when an individual fully enters into their own darkness and discovers all that they have avoided and all that they have been told is wrong in them. The thing is, this is my opinion, is that the person who shines brightest will be forced to face the depths of their darkness. Why? That light and darkness both draw energy. By resolving the darkness, empty energy is not feeding it anymore. That then frees up energy for an individual's full illumination. Have you noticed the people that really aggravate you usually do what you quite often do yourself? Have you also noticed when you are angry you meet more angry people and attract more angry situations? Have you noticed when you face and dissipate the anger then less aggravation comes your way? All of that is part of the shadow.

So this question how dark is your shadow is quite fascinating because it makes you question all that you suppress. Imagine stepping into a corridor that took you to a dark room where all the windows were closed. In that darkness all your fears, all your avoidances sit dormant. When you are in that darkness those fears have power. It is the darkness itself that makes them more powerful because you can't see them. So that room you are in has potential. You can avoid what is in the room and give it power or you can decide to shine light in the room and face what is in there. You don't have to keep the windows shuttered, instead you can open the shutters and shine light on what is in the room. It is fascinating what you will find inside. The tiny little spider (what you feared) was casting a huge shadow. The anger, that you were hiding, was not so bad once you processed it. That fear of intimacy was simply triggered from a long time ago and when rationalised meant you could have happy relationships. There are so many fragments of self lurking in the shadow lands that when you write creatively, you often enter into these lands and discover some huge inner monsters. Those monsters are equivalent of dragons to be slain  or better recognised and transformed and accepted. I will be honest with you all - writing shadows is not that pleasant; however, it enables you to process some nasty stuff from a removed state. It enables you catharsis. So why not try writing about a deep fear from a different character's perspective and in doing so you may have opportunity for catharsis.  The more you face your shadow then the darkness decreases.

Enjoy audio books at the following link:

http://www.audible.com/search/ref=a_hp_tseft?advsearchKeywords=Ruby+allure&filterby=field-keywords&x=0&y=0

http://www.audible.com/pd/Self-Development/A-Short-Course-In-Creative-Writing-Audiobook/B012OVUKE8/ref=a_search_c4_1_1_srTtl?qid=1471531270&sr=1-1#customer-reviews

Creative Writing: Characters

With two audio books out in a week: The Office Zoo and A Short Course In Creative Writing, I thought I would share an insight into writing characters. The Office Zoo is an observation of all the different characters I have witnessed within the office. At one time I was not terribly busy at work and had a weekly 'call of doom'. This was the most monotonous and painfully dull call in the history of mankind. With that in mind, I used to write a character blog which carried painfully truthful blogs of all the office characters - The Office Slug, The Office Pervert and The Office Hotty, to name but a few. Over a few months it became increasingly popular and had thousands of hits... I found a new office fame and was often accosted in the lavatory to find out who I was referring to. Of course work got word of this and I had to stop. I then took my observational meanderings and turned them into a book under a different name... Clever eh? At the same time I taught evening classes in creative writing while still working full time in the office. The creative writing class is where I shared how I observed and noticed quirks and oddities to generate authentic characters... So here is one of the character lessons which is now read by Erin in the audio book. She has done a fantastic job! Thank you Erin!

A SHORT COURSE IN CREATIVE WRITING LINK: Link: http://amzn.com/B01390THLK

CHAPTER 4

 

Character construction and consideration.

Characters are the crucial to the writing of excellent fiction and non-fiction. Characters who are dull, two dimensional and lifeless do not engage the reader, that is, unless there is purpose behind the dullness or lifelessness. Readers are usually fascinated by quirks, mystery and curiosity. A level of identification is also useful to enable identification with the character.  One of the easiest ways to create an interesting character is to create a biography (a character history) of that character. You may like to consider the following when building your character:

 

 

Note: you can use these considerations for real or imagined characters.

·         Attitude

·         Posture

·         Tattoos

·         Accent

·         Origin

·         Gender

·         History

·         Wealth

·         Religion

·         Height

·         Build

·         Job/career

 

·         Addictions – drinking, smoking, coffee, sex or food?

·         Hairstyle

·         What activities do they do?

·         How do they maintain themselves?

·         What is their choice of clothing?

·         What period of time were they born?

·         What do they eat? What is their favourite food?

·         What are their ambitions?

·         What motivates them?

·         Who are their friends?

·         Have they made any sacrifices?

·         Have they suffered hard times?

·         What makes them who they are?

·         Who would they like to be?

·         Where do they go on holiday?

·         How do they cope with stress?

·         What makes them stressed?

·         Do they exercise? What sort of exercise?

 

 

·         Inner world/outer world.

·         What kind of house do they live in?

·         Are they single or married?

·         Do they have children?

·         Do they suffer from any ailments?

·         Victim, rescuer or persecutor?

·         Why are they interesting?

·         Are they overweight or underweight?

·         Why would anyone want to read about them?

·         What are their fears?

·         What is the worst situation you could put them in?

·         If they had to confess one thing what would they confess?

·         What are their quirks?

·         Do they fall into a stereo type or cliché?

·         What are their flaws?

·         What are their hobbies?

·         Satisfaction level – happy and content versus angry and discontent?

·         What would their friends say about them?

·         What would their mum say about them?

·         How do they justify their behaviour?

·         What makes them laugh?

 

THE OFFICE ZOO Link: http://amzn.com/B013N51MNC

 

Consider the below approaches:

1) Sometimes it is easier to find a picture that resembles the character you intend to create. Try browsing through art books that feature portraits. Family photos, magazines and the Internet are great resources for finding inspiring faces.

2) When writing about the character consider all the senses. How do they appear? What stands out? How does the person talk? Accent, tone of voice, stutter? What smells come to mind? What aftershave or perfume would they choose? How would you describe their skin, hair, clothes and posture?

3) Consider the people around you including friends, relatives and co-workers. When you write what you know it is more convincing. Real life is often more interesting than the imagined. Using what you know, try combining character traits of those who you like and dislike.

 

4) An individual exists beyond the moment and so should your character. Build the personality outside the story. Consider their past, present and future. Accumulate as many details as possible until you really know that person. Consider them in different situations, on a train, in a lift, at a party or dealing with a crisis.

5) Look at the inner traits of the character versus how they are appear. What the character conceals makes them interesting too. What is the character’s inner dialogue? What is the character trying to conceal from the world?

All of the above will help you develop a more three dimensional character.

 

 

6) A basic character sketch can include:

·         Physical description

·         Career

·         Partner/Ideal partner

·         What makes them angry and what makes them happy

·         Strengths and weaknesses

·         Hobbies

·         Fears & Hopes

·         History

·         Family

·         Dreams

·         Quirks

·         Attributes

7) Consider using metaphors and do your best to avoid stereotypes. The most vicious bully could be in the guise of the sweetest little girl instead of the more obvious bulldog-featured man. Also the character who is willowy can be considered metaphoric for flexibility and lenience. The rigid character can be considered stubborn or resistant.

8) It is often the case that the best loved characters have the most obvious flaws. A character with flaws, quirks and emotions is far more interesting than those who are perfect. Consider positive and negative traits. The villain who evokes sympathy because of their flaws is far more powerful and interesting than someone who is simply vile and rotten to the core. Imagine a character who desperately wants to be kind but when the kindness is not noticed they become angry.

9) Avoid being too obvious. It is all very easy to re-create characters that we have been influenced by; however, the fun is pushing them and making them more interesting.

10) The general consensus of opinion is that perfect characters are not that interesting. So have fun using contradictions and polarities. Take for example the cleaner who does not wash or the gourmet chef who lives on fast food.

EXERCISE FOR CHARACTERS:

Write two positive traits such as kindness and compassion. Now write one negative trait such as anger or jealousy. Use these traits to describe one of the characters you have in mind.

To make the characters more complex write three positive traits like cheerful, optimistic and gentle with two negative traits such as a compulsive liar and manipulator. Take these to a character you have in mind and write the character with these traits. See what happens and where your character leads you.

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