To BUY on Audible: http://amzn.com/B01604IWKO
CHAPTER 2
In an industrial area, known as the Chalk Pits, Eve
drove her black car to a concealed area. From there she walked to a chalk cliff
face, followed a footpath that zigzagged down to a white cavernous area. Once
inside she pressed a button on her mobile phone. That button signalled to
security that she was outside waiting.
Eve
stood with her back to the wall, surveyed the area to make sure no-one could
see her and stepped backwards the very second the door opened. She was now in a
storage room, used for tools for the quarry – to an innocent but curious
visitor that is all that it would ever be. In the corner was an old wardrobe where
overalls, those luminous yellow safety jackets and bright yellow safety helmets
were stored. Manipulating the coat hooks in the usual sequence resulted in the
whole back wall swinging away to reveal a cubicle the size of a telephone box. In
that cubicle there was nothing other than a secure storage for explosives.
Stepping
lightly into the cubical, a sensor closed the door behind her and a discrete
green light illuminated the confined space. She counted to ten and predictably
the cubicle slowly rotated 180 degrees. A steel door slid back into the wall
and she stepped into a plushly carpeted and discretely lit corridor. Almost in!
Two more doors that were sensor controlled – a thumb print for the first and an
eyelash follicle DNA scan for the second and finally she was in the CLAN
headquarters.
‘You did well,’ said Gemma, the stocky
security woman, said in a matter-of-fact sort of way. No real enthusiasm or
warmth. Gemma had been sitting at a bank of screens that had monitored Eve’s
descent into the quarry, and her transit through the security system. Gemma was
short and solid with a mousey pony tail. She had an attractive face flawed with
some pock marking from an attack of shingles only a few years ago. She had
foolishly scratched and paid the price. In a certain light, or from a certain
angle her face was hard, it revealed the perceptive side and underlined that
she wouldn’t take any shit. If anyone so much as dared to enter the CLAN’s
quarters without permission, she would efficiently electrocute them and
transport the intruder to ‘the clean room’ where they would be ‘sanitized.’
Shoes cleaned, clothes minutely vacuumed in the way forensic investigators work
at a crime scene; fingernails and hands chemically cleaned and then creamed. No
vestige remained, no carpet fibre, no dust, and no chalk. Nothing that could
pinpoint the CLAN’s location. What’s more, a day or so later they would return
to consciousness in a random location completely unaware of where they had
visited.
Gemma
frowned while she scanned Eve. ‘You know I’m beginning to notice a pattern in
your assassinations. You seem to be growing showier the more confident you get.
Is there some kind of competition going on?’
Eve wasn’t falling for it. ‘No Gemma, there’s never
any competition going on. That wanker was asking for it and to me it was the
most effective way to take him out.’
Gemma smirked, Eve always took the bait. ‘Eve, I was
only joking. Stop being so bloody serious!’
‘That’s
how I am Gem.’ Eve shook her head, ‘Gemma if you worked doing what I do, then I
doubt you’d be laughing hysterically every day.’
‘Have
it your way. Anyway I will be doing what you do in a year or so when I complete
my training. Oh! Talking of training, Madam wishes to see you. From what I can
gather there’s someone for you to train up.’
‘But
she knows I’m not willing to train anyone.’
‘I’m
just telling you what I know. Don’t assassinate the bloody messenger!’
Eve smirked, ‘Sorry Gem... Thanks by the way.’
Eve, wearing her most simple black clothing, followed
the white marble staircase through the endless pristine white corridors. At the
end of the corridor was an interview room. The lights inside the room were
bright and the room austere. Eve sat on the overly modern chair and attempted
to make herself comfortable on its hard surface. She could not. Eve sighed, she
hated the whole routine - she didn’t see the point.
After
a short while a beep sounded and the whole wall retracted. Sue, a woman in her
fifties, entered the room carrying a white laptop. Expressionless, just sharp,
astute eyes under immaculately plucked eyebrows that arched perfectly, one of
which revealed a tramline scar mirroring the exact arch of her left eyebrow.
Eve fiddled with the dry skin on her
lip and watched Sue intently. Sue was a hunched, twisted woman with dark
impossible to read eyes. Her hair was nondescript and her manner highly
analytical. Her on-board sensors and antennas enabled her to analyse, assess
and read every subtle gesture of every person who came into her presence. She
constantly scanned for the slightest revealing subconscious motion and Eve
hated it. Every time she met the woman she lifted her guard.
Something
felt wrong, why didn’t she ever make eye contact? Eve followed Sue’s strident
entry into the room; she appeared calm for someone wearing a permanent snarl.
Eve never knew what to make of Sue and her facial scars. One thing was for
certain: she wasn’t going to take any of Eve’s games, she never did.
Using
her hand, Eve concealed a sigh, it was ‘necessary’ to be debriefed; it was the
same routine they always followed. Of course ‘they’ had to check she wasn’t
emotionally effected. Emotional suppression could endanger the whole operation.
‘They’, the management, perceived that such suppression would affect decisive
decision-making. She had to be pronounced clear before she was given her next
assignment. ‘They’ were always so meticulous when it came to the emotional
self. It seemed ironic considering the rest of society was actively learning to
suppress their inner-most feelings, to appear sane. Here, the CLAN actively
forced the Feminas to face up to their emotions, their rage. That way they
could let go. The view held was that the individual was more effective in their
abilities and their thought process precise when emotional torment was
released.
After
what appeared to be an age, Sue sat down opposite Eve and silently prepared her
notes and laptop. ‘Hello Eve,’ she said, once the neat paper shuffling and
stacking exercise was complete.
‘Hello
Sue.’ Was the automatic reply.
Sue sighed and glanced at her computer. ‘How are you
feeling?’
‘The
same.’ Eve said with a half shrug of her shoulders.
‘What
does that mean?’ Eve responded incisively. ‘I’m just going through the motions
- as always. I do my job, go home and get on with my life.’
Hadn’t Eve said this two or three times before in
previous debriefings?
‘Your
job is your life.’ Sue typed and did not remove her eyes from the screen.
Eve nodded, ‘Correct.’
Again, Sue didn’t glance up. ‘Nightmares?’
‘No,
dreamless!’
‘Are
you taking sleeping tablets?’
‘No I
work out and after a hot bath it takes me only moments to fall asleep.’
As though working down the checklist, Sue continued
‘Any physical aches or pain?’ ‘Nothing!
I’m not repressing anything.’ Always the same questions, same answers. Eve fought to suppress visible irritation.
‘You
always say that. Anything at all just tell me. Anyway we all repress and
suppress things. You’re human not a vacuous robot. Now if you’re not
effectively ‘feeling’ anything, it goes without saying that you must be
diverting it elsewhere. Maybe the exercise is effectively transporting it away,
but we don’t want you flipping out on us. Now as I said, we’re all human, so we
all need a release. Is there anything you wish to tell me?’
‘He
deserved it. He is dead. What more can I say? There, that’s my release!’ said
Eve in a cool tone.
There was silence. Sue chewed the end of her pen and
stared at her notes.
Eve began to tap. Very subtly, but in her usual groups
of ten, her mind quickly relived the series of events. Eve consciously slowed
her tapping, calmed her breath and then focused on a point directly ahead of
her.
Sue shook her head, ‘Hardly a release
Eve. More of an assumption on your part. Plus I know you’re far more complicated
than that. God you’re a bloody tough nail to...’
‘Maybe
I’m already hammered,’ retorted Eve barely concealing her anger. ‘Maybe that’s
why I’m never affected. Anyway Sue I don’t need this analysis shit. I spend
enough time self-analysing, doing unwinding release and I don’t need you to do
it for me.’
‘Eve
you only analyse from one point of view, you need objectivity. Sometimes it
takes an outside party to understand the greater picture. Plus I would guess
your self-analysis borders on self-obsession. You know it’s listed within your
character profile: tendency to over analyse and generate unnecessary tension
through repetition.’
Begrudgingly,
Eve had to admit Sue was right, but that was what made her excel at what she
did. Sue watched Eve’s reaction closely and then tapped her pen on the table
and jiggled her leg. Eve didn’t like it; it was distracting and broke her own
rhythm.
‘Do
you really have to do that?’
‘I’m
thinking.’
‘About
what?’ Asked Eve.
‘About
your lack of emotional response. I find it perplexing. Do you ever laugh?’
‘Rarely.
Sometimes at comedy.’
‘Do
you cry?’
‘I
once cried for days. Cried myself dry. I don’t cry anymore. I must be an
emotional desert or something. Anyway you were there. You witnessed it. In fact
you instigated it remember?’
Sue frowned at her computer screen. ‘Do you feel
remorse?’
‘Of
course I don’t! The bastards deserve what they get... well especially...
nothing,’ she said sharply.
‘I
think you need to finish that sentence Eve.’
‘Especially
after what happened.’
Sue studied Eve’s empty eyes. ‘Do you get angry?’
‘Yes
and as I told you before I run and run until it is out of my system.’
‘Would
you say the last answer was defensive?’
‘No...
I mean yes... Look I don’t see the point of all this. I do my job well. I
always consider everything to the finest detail and...’
‘And
it’s just too perfect Eve. That’s why I have to check you out. You know my role
is to understand the intricacies of your mind. Only then can any plans be fool-proof.
What’s more, I need to understand your vulnerabilities as well as your
strengths. I have to find those chinks in your armour. And it makes it
difficult when there doesn’t seem to be any and honestly Eve that’s a concern.
You are like a wall.’
‘Maybe
I’m a machine then.’
‘Don’t
be ridiculous! Now do you get laid?’
‘That’s
personal! God I hate this shit. You know I don’t - you know I don’t like personal interaction. God I hate that bloody
question! Why do you have to ask me that?
‘Masturbation
or getting laid?
‘Neither...
Anyway what has that got to do with anything?’
‘If
you get laid, you often sleep next to the person. Who’s to say you don’t reveal
all your secrets in your sleep. They always emerge somewhere. Plus masturbation
is common amongst schizoid personalities. It is suggested the act connects you
to the world without having to experience intimacy. Remember you do fall into
the schizoid category and your ultimate fear is loss of individuality,’ said
Sue.
Eve
clenched her fist, she was not a type! ‘Since you boxed me as a borderline
schizoid you’ll remember I hate interaction. If I had the choice I wouldn’t be
talking to you now. So the answer is no I do not get laid. Nor am I likely to.
I don’t actually know any men.’ ‘Maybe
you should. It might chill you out and put a smile on your face.’
Eve eyed Sue sharply, she was joking.
‘So
it’s just the exercise then that you use to alleviate yourself.’
Eve sighed, ‘Yes that is exactly it. Running. That’s
all. Actually no... biking as well... Plus weights and cabin exercise. Now can
we get on?’
‘Do
you feel tested?
‘Not
really. I just feel as though I’ve fallen into a routine and my mind just goes
through the motions. I have now worked out a system and don’t really feel
tested. I do try and spice it up with more evolved techniques, but all that’s
needed is a bit of research.’
Sue nodded and typed up her notes. ‘You know Eve;
you’re the strangest one amongst the Feminas. The others cry and vent in this
room. Not you. Remember when you build the walls they will ultimately be broken
down. Now I suggest you find a way of emotional release. We don’t want your
repression or suppression to affect your work. Maybe you should invest in a
punch bag.’
‘I
already have one.’
Sue looked Eve over. ‘Eve for someone so young you’re
certainly straight faced. I find you fascinating; your eyes never show any expression.
Your body language reveals nothing and nor do your eyes. There’s no laughter,
no hatred, nothing. It’s as if you’re blank, robotic, an automation.’ Sue
chewed her pen for a moment and watched Eve subtly tapping. Something about it
bothered her, she noted it down.
Sue
took a deep breath. ‘Eve you are clear... but mark my words I’m watching you. I
have some concerns. If these concerns increase you’ll have to go through
whitewash.’
Eve’s expression contorted, ‘What? I haven’t done
anything wrong! I don’t want you messing with my mind again... Sue, I can
assure you I don’t need to go through whitewashing.’
Sue,
not speaking, studied the minute teeth marks at the end of her pen. Putting it
down Sue tapped the keys recording Eve’s resistance to having her mental slate
cleaned. ‘You don’t like letting go do you Eve? Does it make you feel out of
control?’
Eve had anticipated Sue’s provocation. ‘Sue let’s be
honest who likes experiencing their emotional pain physically? Do you?’
‘What
else do you resist Eve?’
‘I
resist liars, manipulation and being controlled. What about you Sue? You must
have a few issues?’ Sue did not answer.
Expressionless, she closed her laptop and gathered her notes. ‘Eve I’m watching
you. Some of your behaviours indicate something is amiss, just not quite right
and I can’t put my finger on it right now. I don’t know what it is yet, but if
anything slips, mark my words it will be time to face your demons again. Now
you may continue onto your next assignment.’
‘Thank
God for that! And... thank you!’
Sue paused. ‘I mean it Eve, we’re all human. We all
carry emotional baggage. We all carry our past. And whether we like it or not
it will catch up with us no matter what you think. I say this because I care.
You have been working with us for two years now and not one iota of emotional
release. Internally you must be like a shaken bottle of coke. That tells me
something is due to snap. Stress and repressed emotions always break out in
some form. You may not know what that form is yet, but emotional darkness is lying
dormant somewhere. It might just be something simple like you develop a habit.
You can run from your problems, but they will run with you until one day you
will be forced to face them.’
Eve
sighed, ‘Sue don’t worry about me. I’m not that kind of person. I never will
be.’ ‘Then I pity you.’
‘Why?’
‘Emotion and emotional release enable you to
experience life more vividly.’
‘That’s
your opinion and I don’t share it. You are not me, so therefore you will never
experience life in the same way as I do. Now I must see ‘Madam.’
Sue stood and watched Eve leave.
Eve
sensed she was being observed and glanced in the reflective surface that she
knew concealed a camera. Big mother recorded every word, every facial
expression and every involuntary action or nervous tic. From the reflected
image, Eve could see that Sue was still frowning and as she gathered up her
papers and let out an audible sigh.
For a
moment she paused and glanced over her shoulder, should she say something?
‘Sue... don’t feel sorry for me.’
‘I
don’t. I sympathise with what you’ve been through and survived. The little girl
in you has been locked away. That is what saddens me. Although, the experience
has made you what you are - a professional killer with no emotion. The CLAN is
grateful. Your experience has driven you.’
Eve blinked, studied Sue then continued out of the
door, Madam was waiting.
OTHER BOOKS by Ruby Allure:
AUDIBLE LINK FOR A SHORT COURSE IN CREATIVE WRITING: http://amzn.com/B01390THLK
21/08/15
"An Unexpected Gem"
***I was provided a copy of this audio book for the purpose of a review ***
With the required disclaimer out of the way, let me be brutally honest, I had not expected this little gem. In fact, I had expected my listening would be a bit rough and was fortified by it being less than 2 hours.
The synopsis says the author wrote the book as a takeaway from her evening classes on creative writing. My mental context was ... Community Ed evening classes ...and expected a well intended but kind of amateur product. However, I am interested in adult education, and batter my own nerd head against a giant personal creativity brick wall.
So you have an idea of my mind set... low expectations along with high interest.
Amateur hour it was NOT.
I don't know where the author teaches her class, but Sign Me Up! And bring the narrator. Wow. Two hours of unadulterated, straight up, right on, good learning material delivered by a close friend just sharing the material. The narrator's voice was warm, sincere without any artifact or pompous patronising, and well modulated throughout. The material was mind opening for me, with the right mix of the mechanics of writing exercises, sufficient context that using prompts now makes sense to me, and a sprinkling of the inner heart work of creativity through written material.
This was just what I didn't dare hope for in a how to creative writing listen.
Truly an unexpected gem and a learning and growing experience for me.
A keeper and one I will return to many times as I deconstruct my own wall, one block at a time.
Thank You, Ruby and Thank You, Erin.
With the required disclaimer out of the way, let me be brutally honest, I had not expected this little gem. In fact, I had expected my listening would be a bit rough and was fortified by it being less than 2 hours.
The synopsis says the author wrote the book as a takeaway from her evening classes on creative writing. My mental context was ... Community Ed evening classes ...and expected a well intended but kind of amateur product. However, I am interested in adult education, and batter my own nerd head against a giant personal creativity brick wall.
So you have an idea of my mind set... low expectations along with high interest.
Amateur hour it was NOT.
I don't know where the author teaches her class, but Sign Me Up! And bring the narrator. Wow. Two hours of unadulterated, straight up, right on, good learning material delivered by a close friend just sharing the material. The narrator's voice was warm, sincere without any artifact or pompous patronising, and well modulated throughout. The material was mind opening for me, with the right mix of the mechanics of writing exercises, sufficient context that using prompts now makes sense to me, and a sprinkling of the inner heart work of creativity through written material.
This was just what I didn't dare hope for in a how to creative writing listen.
Truly an unexpected gem and a learning and growing experience for me.
A keeper and one I will return to many times as I deconstruct my own wall, one block at a time.
Thank You, Ruby and Thank You, Erin.
TO BUY MONEY FARM ON AMAZON.com http://amzn.com/B010F04W9O
· Frode
06/08/15
5 STAR
"M.O.N.E.Y. is bad? This book is not!"
So Money Farm by Ruby Allure was a surprise! When I REALLY did not read things about this book I review for Audiobook Blast, I sometimes get books I don't know something about. BTW: I read 99% about the books I want to review, but this book I can't remember I did that for. Anyways: This was a nice surprise, and I think it is one of those books that is better the second time you read it. No joke! I listen to this twice before I made this! Money Farm makes you thin, and who does not like to hear a book that makes you think? It is an awesome book, that I will recommend to all that likes audiobooks, and really to people that does not!
Helen Lloyd English accent its the topic like a glow and a hand! Her "lady like" voice is so cold, and clear I feel that the author made this book thinking that Helen Lloyd would read it out loud! That is how I feel those two fits together! The 2 times 14 hrs and 6 mins I spend with her never feels boring or uninteresting! I would love to spend it again, and I will because this book I will hear again, and again, even when it is 14 hrs and 6 mins long! That is saying something!
I was provided this audiobook at no charge by the author, publisher and/or narrator in exchange for an unbiased review via AudiobookBlast dot com
Helen Lloyd English accent its the topic like a glow and a hand! Her "lady like" voice is so cold, and clear I feel that the author made this book thinking that Helen Lloyd would read it out loud! That is how I feel those two fits together! The 2 times 14 hrs and 6 mins I spend with her never feels boring or uninteresting! I would love to spend it again, and I will because this book I will hear again, and again, even when it is 14 hrs and 6 mins long! That is saying something!
I was provided this audiobook at no charge by the author, publisher and/or narrator in exchange for an unbiased review via AudiobookBlast dot com
MONEY FARM
What did you like most about Money Farm?
It was an eye opener.
What did you like best about this story?
I like the way it made you think about the way normal everyday life is here and now, and the future...
Have you listened to any of Helen Lloyd’s other performances? How does this one compare?
Helen Lloyd narrated this fairly long audiobook brilliantly. Although the story content was very intense and thought provoking, her lovely smooth voice was very easy to listen to and I thought it was just perfect, a fascinating book wonderfully narrated.
Was this a book you wanted to listen to all in one sitting?
Yes it was, although it is too long to do so.
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